| AlbumTitle |
Subtitle |
Works |
Performers |
Record Label |
Catalog No |
| William Lawes |
Consorts in Four and Five Parts |
1. Sett a5 in A; 2. Sett a5 in F; 3. Sett a5 in C; 4. Sett a5 in C; 5. Sett a5 in G; 6. Fantasy in C a4; 7. Air (Fantasy) in C a4; 8. Aire in C a4; 9. Aire in C a4; 10. Aire in C a4; 11. Aire in C a4; 12. Aire in C a4; |
Phantasm |
Channel Classics |
CCS 15698 |
| William Lawes |
Consorts in Six Parts |
1. Sett a 6 in g; 2. Sett a 6 in C; 3. Sett a 6 in F; 4. Sett a 6 in B flat; 5. Sett a 6 in c |
Phantasm |
Channel Classics |
CCS 17498 |
| William Lawes |
Consorts in Five and Six Parts |
1. Sett a 5 in g minor; 2. Sett a 5 in a minor; 3. Sett a 5 in c minor; 4. Sett a 5 in F major; 5. Sett a 5 in C major; 6. Sett a 6 in g minor; 7. Set a 6 in C major; 8. Sett a 6 in F major; 9. Sett a6 in B flat major; 10. Sett a 6 in c minor |
Hesperion XXI |
AliaVox |
AV 9823 |
| William Lawes
|
The Royal Consort Suites
|
1.Suite No. 1 in D minor; 2. Suite No. 2 in D minor; 3. Suite No. 3 in D minor; 4. Suite No. 4 in D Major; 5. Suite No. 5 in D Major; 6. Suite No. 6 in D Major; 7. Suite No. 7 in A minor; 8. Suite No. 8 in C Major; 9. Suite No. 9 in F Major; 10. Suite No. 10 in B Flat Major
|
The Purcell Quartet with Nigel North, Paul O'Dette (theorbos)
|
Chandos
|
CHAN 0584/5
|
| William Lawes |
Fantasia Suites for two violins, bass viol & organ |
1. Sett no. 1 in G min.; 2. Sett no. 2 in G maj.; 3. Sett no. 3 in A min.; 4. Sett no. 4 in C maj.; 5. Sett no. 5 in D min.; 6. Sett no. 6 in D maj.; 7. Sett no. 7 in D min.; 8. Sett no. 8 in D maj. |
London Baroque |
Harmonia Mundi |
HMA 1901423 |
| William Lawes |
Sonatas (Fantasia Suites) for violin, bass viol & organ |
1. Sett no. 1 in G min.; 2. Sett no. 2 in G maj.; 3. Sett no. 3 in A min.; 4. Sett no. 4 in C maj.; 5. Sett no. 5 in D min.; 6. Sett no. 6 in D maj.; 7. Sett no. 7 in D min.; 8. Sett no. 8 in D maj. |
London Baroque |
Harmonia Mundi |
HMA 1901493 |
| Five- and Six-Part Fantasies of William Lawes |
|
1. Set a 6 in C maj.; 2. Set a 5 in A min.; 3. Set a 5 in F maj.; 4. Set a 5 in C maj.; 5. Set a 5 in C min.; 6. Set a 6 in G min. |
The Oberlin Consort of Viols |
Classic Masters |
CMCD-1015 |
| William Lawes
|
Consort Music for Viols, Lutes and Theorbos
|
1. Set a 4 in G minor (for 2 Theorbos); 2. Consort Set a 5 in C Major; 3. Royal Consort in D minor (for 2 Theorbos); 4. Pieces for Two Lutes; 5. Divisions on a Pavan in G minor; 6. Consort Set a 5 in A minor; 7. Royal Consort in D Major (for 2 Theorbos)
|
Timothy Roberts (org); Jacob Herlingman, David Miller (l, theorbo); Royal Consort of Viols
|
Naxos
|
8.550601
|
| William Lawes |
Dialogues, Psalms & Elegies |
1. Come heavy heart;
2. Charon, O Charon;
3. Charon, O gentle Charon, let me wooe thee;
4. Orpheus, O Orpheus, gently touch thy Lesbyan Lyre;
5. Tis not Boy, thy Amorous looke;
6. When death shall snatch us from these Kidds;
7. The Catts as other creatures doe;
8. Musicke, The Master of thy Art is dead;
9. How Like a widow?;
10. Why in this shade of night?;
11. Cease, O cease ye jolly shepherds (Jenkins);
12, Psalm 22 (Henry Lawes) |
The Consort of Musickedir.Anthony Rooley |
Explore |
EXP0011 from L'Oiseau-Lyre DSLO 574 |
| The Rags of Time |
17th C. English lute songs and dances |
1. Sweetest love I do not goe (Anon.); 2. Spoken: The Sunne Rising (Donne); 3. Sweet stay a while (H. Lawes); 4. Break of day (W. Corkine); 5. Spoken: The good-morrow (Donne); 6. Wherefore peep'st thou (John Wilson); 7. Lute solo: John come kiss me now (Anon.); 8. Goe and catch a fallinge star (Anon.); 9. Spoken: The Flea (Donne); 10. The Expiration (A. Ferrabosco); 11. Spoken: The Apparition (Donne); 12. Lute solo: The Noble man (Robert Johnson); 13. Wilt thou forgive that sinne (John Hilton); 14. Lute solo: Pavan (Robert Johnson); 15. Spoken: The triple Foole (Donne); 16. Loves Sweet Repose (H. Lawes); 17. Love's Flattery (W. Lawes); 18. Guitar solo: Chaconne in D (F. Corbetta); 19. Gather ye rosebuds while ye may (W. Lawes); 20. The Rose (H. Lawes); 21. Theorbo solo: Prelude in A minor (John Wilson); 22. The Selfe Banished (H. Lawes); 23. Theorbo solo: Prelude in F (John Wilson); 24. Peace, mutt'ring thoughts (John Wilson); 25. Theorbo solo: Prelude in B flat (John Wilson); 26. Have you e'er seen the morning sun (H. Lawes)
|
Paul Hillier (bar); Nigel North (l, theorbo, gtr) |
Harmonia Mundi |
HMU 907257 |
| Lawes |
Songs By Henry & William Lawes |
1. Gather your rosebuds while you may (William Lawes);
2. A Tale out of Anacreon (Henry Lawes);
3. Oh, that joy so soon should waste (Henry Lawes);
4. Sweet, stay awhile; why do you rise? (Henry Lawes);
5. Monsieur Saman his Coranto (René Saman);
6. Amarillis, by a spring (Henry Lawes);
7. Oh, let me still and silent lie (William Lawes);
8. Oh, my Clarissa, thou cruel fair (William Lawes);
9. From the heav'ns now I fly (Henry Lawes);
10 Corant from The Royall Consort (William Lawes);
11. Sweet Echo, sweetest nymph that liv'st unseen (Henry Lawes);
12. Country Dance (William Lawes);
13 Oh sweet woods, the delight of solitariness (Henry Lawes);
14 Tavola: In quel gelato core una voce (Henry Lawes);
15 Loves Sweet Repose: Amidst the myrtles as I walk (Henry Lawes);
16. No Reprieve: Now, now Lucasia, now make haste (Henry Lawes);
17. Fantasia (Cuthbert Hely);
18. Slide soft, you silver floods (Henry Lawes);
19 Saraband (Cuthbert Hely);
20. When shall I see my captive heart? (Henry Lawes);
21. Alman for two lutes (William Lawes);
22. Corant for two lutes (William Lawes);
23. A Dreame: I laid me down upon a pillow soft (William Lawes);
24. Corant for two lutes (William Lawes);
25. The Angler's Song: Man's life is but vain, for 'tis subject to pain (Henry Lawes);
26. When man for sin thy judgment feels (William Lawes);
27. A Pastoral Elegie: Cease you jolly shepherds (Henry Lawes)
|
Robin Blaze (ct), Elizabeth Kenny (l), with Rebecca Outram (sop), Robert MacDonald (b), William Carter (l, gtr, theorbo), Frances Kelly (double harp) |
Hyperion |
CDA67589 |
| The Singing Club |
Ravenscroft, Lawes, Purcell, Arne |
1. A round of three country dances in one (Thomas Ravenscroft); 2. There were three ravens (Thomas Ravenscroft); 3. Call George again, boys (John Hilton); 4. Drink tonight of the moonshine bright (William Lawes); 5. She weepeth sore in the night (William Lawes); 6. Dainty fine aniseed water (William Lawes ); 7. Where the bee sucks, there suck I (John Wilson); 8. Gather ye rosebuds while ye may (William Lawes); 9. Tis women makes us love, Z 281 (Henry Purcell); 10. Sir Walter enjoying his damsel, Z 273 (Henry Purcell); 11. Inigo Jones (Anon.); 12. Epitaph (Jonathan Battishill); 13. The Singing Club (Thomas Augustine Arne ); 14. Foresters sound the cheerful horn (Henry Bishop); 15. To soften care (Thomas Augustine Arne); 16. To Anacreon in Heaven (John Stafford Smith); 17. Elegy on the death of Mr. Shenstone (Thomas Augustine Arne); 18. Much Ado about Nothing: Sigh no more, ladies (Thomas Augustine Arne); 19. There is a paradise on earth (Robert Lucas Pearsall); 20. O who will o'er the downs so free (Robert Lucas Pearsall); 21. Sweet and Low (Joseph Barnby) |
The Hilliard Ensemble dir. Paul Hillier |
Harmonia Mundi |
HMA 1951153 |
| Simpson | Jenkins | Lawes | Purcell | Tomkins |
Two upon a Ground |
1. Division in A (Simpson); 2. Division in F (Simpson); 3. Voluntary (Tomkins); 4. Division in F (Simpson); 5. Division in C (Finger); 6. Division in C (Jenkins); 7. La Pompe Funèbre (Ennemond Gaultier); 8. Fantazia (Locke); 9. Courant (Locke); 10. Division in G (Simpson); 11. Sonata solo in G (Finger); 12. Loves farewell (Hume); 13. Suite in g (Lawes); 14. Prelude (Tomkins); 15. What if a day (Tomkins); 16. Worster Brawls (Tomkins); 17. Pavan (Hume); 18. Two in one upon a ground (Purcell); 19. Division in A (Jenkins) |
Charivari Agréable: Susanne Heinrich (viols), Kah-Ming Ng (keyboard), Linda Sayce (lutes), with Susanna Pell (viols) |
Signum |
SIGCD007 |
| Henry Purcell and His Time |
17th Century English Chamber Music |
1. Suite IV fron the Broken Consort (Locke); 2. Consort Suite VII (Lawes); 3. Fantasia (Jenkins); 4. Prelude and Divisions on a Ground (Simpson); 5. Suite III from the Broken Consort (Locke); 6. Divisions on John come Kiss; 7. Pavan à 4 (Purcell); 8. Pavan à 3 (Purcell); 9. Three parts upon a ground (Purcell) |
Scaramouche: Andrew Manze, Caroline Balding (vln), Ulrike Wild (hpsd, org), Jaap ter Linden (bs viol) |
Channel Classics |
CCS 4792 |
| Hark! hark! the lark |
Music for Shakespeare's Company |
1. Hark! hark! the lark (attrib. Robert Johnson); 2 Get you hence (attrib. Robert Johnson); 3. The Tempest (attrib. Robert Johnson); 4. Where the bee sucks (Robert Johnson); 5. Full fathom five (Robert Johnson); 6. Tell me, dearest (Robert Johnson); 7. Oh, let us howl (Robert Johnson); 8. Care-charming sleep, (Robert Johnson); 9. Almand in G major (Robert Taylor arr. Thomas Simpson); 10. The Noble Man (Anonymous arr. Johann Schop); 11. Fill See the chariot at hand (Anonymous); 12. Take, O take those lips away (John Wilson); 13. Am, arm! the scouts are come in (Robert Johnson); 14. 'Tis late and cold (Robert Johnson); 15. Come away, Hecate (Robert Johnson); 16. The Witches' Dance (attrib. Robert Johnson); 17. Suite in G minor (Simon Ives); 18. The blushing rose (Anonymous); 19. A bonny, bonny bird I have (John Wilson); 20. This lady ripe and fair (John Atkins); 21. Pavan in G minor (Simon Ives); 22. Why so pale and wan, fond lover? (William Lawes); 23. Hence, all ye vain delights (John Hilton); 24. A health to the northern lass (William Lawes); 25. Suite in C major (Simon Ives); 26. Come, my Daphne, come away (William Lawes); 27. Somnus, the humble god (William Lawes); 28 The cats, as other creatures do (William Lawes); 29. The Wagge (Simon Ives) |
Catherine Bott, JuliaGooding(sop), Joseph Cornwell (ten), Stephen Carcoe (bar), The Parley of Instruments dir. Peter Holman |
Hyperion |
CDA66836 |
| A High Priz'd Noise |
Violin Music for Charles I |
1. The Prince's Alman (Robert Johnson); 2. The Peince's Coranto (Robert Johnson); 3. Air in G minor (Robert Johnson); 4. Fantasia in G minor for three trebles (Robert Johnson); 5. The Temporiser (Robert Johnson); 6. The Witty Wanton (Robert Johnson); 7. Pavan in C major (Alfonso Ferrabosco II); 8. Alman in C major (Alfonso Ferrabosco II); 9. Alman in D minor (Maurice Webster); 10. Galliard in B flat major after Bocquet (Maurice Webster); 11. Echo No. 1 in D minor (Maurice Webster); 12. Echo No. 2 in G major (Maurice Webster); 13. Allamanda (Stephen Nau); 14. Galliarde (Stephen Nau); 15. Courante I (Stephen Nau); 16. Courante II (Stephen Nau); 17. Courante III (Stephen Nau); 18. Courante IV (Stephen Nau); 19. Sarabande (Stephen Nau); 20. Variations on the Ruggiero (Angelo Notari); 21. Alman in D major 'for the Violins of 2 Trebles' (William Lawes); 22. Ballet in F major (Stephen Nau); 23. Air in C minor (William Lawes); 24. Air in C minor (WilliamLawes); 25. Air in C major (William Lawes); 26. Air in C major (William Lawes); 27. Pavan in D minor (Stephen Nau); 28. Galliard in D minor (Stephen Nau) |
The Parley of Instruments Renaissance Violin Banddir. Peter Holman |
Hyperion |
CDA66806 |
| Armada |
Music from the courts of England and Spain |
1. Rejoice unto the Lord (Byrd); 2. Diferencias sobre "La dama le demanda" (Antonio de Cabezón); 3. Fantasia (Lopez); 4. Morenica dame (Miguel de Fuenllana); 5. Browning a 3 (Elway Bevin); 6. The Carman's Whistle, MB 36 (Byrd); 7. Psalmes, Sonets and Songs: Come to me, grief, forever (Byrd); 8. Trattado de glosas: Recercada secunda "sobre canto llano" (Diego Ortiz); 9. Fantasia à 5 "Susana un jur" (Hernando de Cabezón); 10. Fantasia de redobles (Miguel de Fuenllana); 11. In angel's weed (Byrd); 12. Dulce memoria (Hernando de Cabezón); 13. Diferencias sobre "La Milanesa" (Antonio de Cabezón); 14. Recercada tercera (Diego Ortiz); 15. Pandolpho 1 "Pour down, you pow'rs divine" (Parsons); 16. Fantasia a 4 (White); 17. Quiento hizo (Esteban Daza); 18. In Nomine a 5 (Picforth); 19. Almain "The Honiesuckle" (Anthony Holborne); 20. Pavan "Paradizo" (Anthony Holborne); 21. Coranto "Fairy Round" (Anthony Holborne); 22. Fantasia a 5 in C major (Byrd); 23. Lachrimae or Seaven Teares: M. Bucton his Galiard (Dowland); 24. Lachrimae or Seaven Teares: Captaine Piper his Galiard (Dowland); 25. Fantasy a 4 (Bull); 26. Lachrimae or Seaven Teares: Lachrimae antiquae (Dowland); 27. Lachrimae or Seaven Teares: M. Nicholas Gryffith his Galiard (Dowland); 28. In Nomine à 5 (Alfonso (II) Ferrabosco); 29. Fantasias (2) à 4 "for the great double bass": Excerpt(s) (Orlando Gibbons); 30. In Nomine à 5 (Orlando Gibbons); 31. Aires for 2 Division Viols in C major: Pavan of Alfonso (Lawes); 32. Aires for 2 Division Viols in C major: Almaine of Alfonso (Lawes); 33. My Ladye Nevalls Booke: A Fancie on C (Byrd); 34. Consort Sett à 5 in C major (Lawes) |
Michael Chance (Countertenor), Christopher Wilson (Lute), Paul Nicholson (Harpsichord, Organ), Richard Booth (Bass Viola da gamba), Fretwork |
Virgin Veritas |
7243 5 61821 2 7 |
| Consortmusik auf Originalinstrumenten |
|
1. Suite No 1 in C a 4; others by Coperario, Simpson, Dowland, Purcell |
Leonhardt Consortdir.Gustav Leonhardt (hsd) |
Das Alte Werk |
SAWT 9576-B (LP) |
| Altenglische Consortmusik |
|
1. Sedet sola; 2. Galliard; 3. Pavana ploravit; 4. The faire-round; others by Alison, Holborne, Lawes, Coperario, Strowgers, Ferrabosco II, Robert Johnson, Morley |
Konrad Ragossnig (l), The Linde-Consort |
EMI-Reflexe |
1C063-30 105 (LP) |
| William Lawes |
Royall Consorts | Sett for three Lyra Viols |
1. Sett No. 7 in A min.; 2. Sett No. 1 in D min.; 3. Sett for three Lyra Viols; 4. Sett No. 8 in C maj. |
The Consort of Musickedir.Anthony Rooley |
L'Oiseau-Lyre |
DSLO 573 (LP) |
| William Lawes |
Viol Consort Music |
1. Sett No. 3 in F maj.; 2. Sett No. 3 in C min.; 3. Sett No. 2 in A min.; 4. Sett No. 4 in B Flat maj.. |
The Consort of Musickedir.Anthony Rooley |
L'Oiseau-Lyre |
DSLO 560 (LP) |