| AlbumTitle | Subtitle | Works | Performers | Record Label | Catalog No |
| Thomas Tomkins | Barafostus Dreame | 1. Barafostus' dream (Barafostus Dreame) [MB62]; 2. Pavan of three parts (A pavin of 3 pts:; c.1650?) [MB49]; 3. GaIliard of three parts (galiard 3 pts) [MB50]; 4. Miserere, (7/10/1648) [MB14] ; 5. A sad pavan for these, distracted times.(A sad paven For these distracted Tymes; 14/2/1649) [MB53]; 6. Worcester brawls (Worster Braules) [MB 65]; 7. What if a day [MB64]; 8. Fancy for two to play (A Fancy) [MB32]; 9. Fancy (no title) [MB29]; 10. Pavan (Pauana/Pavin) [MB56]; 11. The Lady Folliott's galliard (The Ladie Folliots Galliard) [MB59]; 12. Fancy (A Fantasi; 9/11/1646) [MB22]; 13. Toy made at Poole Court (A toy made at Poole court) [MB67]; 14. Pavan Earl Strafford (The paven with its devision; 2/10 /1647) [MB43]; 15. Galliard Earl Strafford (The galliard) [MB44]; 16. Fortune my Foe (4/7/1654) [MB61]; 17. Ground (no title/A Ground) [MB40]; 18. In Nomine (gloria Tibi Trinitas; 14/2/1650) [MB11]; 19. Ground (A Grounde) [MB39] | Carole Cerasi | Metronome | MET CD 1049 |
| Thomas Tomkins | Complete Keyboard Music Vol. 1 | 1. Prelude; 2. Voluntary; 3. A Sad Pavan For These Distracted Times; 4. The Perpetual Round; 5. Fancy; 6. Ut, Mi, Re; 7. Pavan - Earl Strafford; 8. Galliard - Earl Strafford; 9. Ground; 10. Worcester Brawls; 11. Fortune My Foe; 12.The Hunting Galliard; 13. Pavan; 14. Galliard; 15. Barafostus' Dream | Berhard Klapprott (hpsd, virg) | Dabringhaus und Grimm DG Scene | MDG 6070563-2 |
| Thomas Tomkins | Complete Keyboard Music Vol. 2 | 1. Prelude; 2. Fancy; 3. In Nomine (Version I); 4. In Nomine (Version II); 5. In Nomine; 6. Voluntary; 7. Pavan; 8. Galliard; 9. Fancy - For Viols; 10. Toy - Made At Poole Court; 11. Pavan; 12. Robin Hood; 13. Pavan; 14. Pavan; 15. Ground | Berhard Klapprott (hpsd, virg) | Dabringhaus und Grimm DG Scene | MDG 6070704-2 |
| Thomas Tomkins | Complete Keyboard Music Vol. 3 | 1. Fancy; 2. Pavan Of Three Parts; 3. Galliard Of Three Parts; 4. Miserere; 5. Pavan - Lord Canterbury; 6. Ut, Re, Mi, Fa, Sol, La; 7. Ut, Re, Mi, Fa, Sol, La; 8. Short Pavan; 9. Voluntary; 10. What If A Day; 11. The Lady Folliott's Galliard; 12. Pavan; 13. Fancy - For Two To Play; 14. Appendix: a. Prelude (with different ending to Vol. 1 track 1); b. Ut, Re, Mi, Fa, Sol, La (Appendix to track 7); c. Ut, Re, Mi, Fa, Sol, La (fragment); d. Ut, Re, Mi, Fa, Sol, La (fragment); e. Ut, Re, Mi, Fa, Sol, La (fragment); f. Ut, Re, Mi, Fa, Sol, La (fragment); g. Go From My Window (fragment); h. Bitts Or Morcells (fragment) | Berhard Klapprott (hpsd, virg) | Dabringhaus und Grimm DG Scene | MDG 6070705-2 |
| Thomas Tomkins | Complete Keyboard Music Vol. 4 | 1. In Nomine (MB No. 12); 2. In Nomine (MB No. 9); 3. In Nomine (MB No. 8); 4. A Verse Of Three Parts; 5. Clarifica Me Pater; 6. (Without Title) (MB No. 68); 7. Fancy; 8. Miserere (MB No. 15); 9. Miserere (MB No. 14); 10. Miserere (MB No. 19); 11. Miserere (MB No. 20); 12. A Short Verse; 13. Miserere (MB No. 17); 14. Miserere (MB No. 13); 15. Miserere (MB No. 18); 16. [A Short Verse] For Edward [Thornburgh]; 17. Another [Short Verse]; 18. [Voluntary] For Mr. Arc[hdeacon] Thornburgh; 19. Offertory; 20. A Substantial Verse | Berhard Klapprott (org) | Dabringhaus und Grimm DG Scene | MDG 6070563-2 |
| Thomas Tomkins | Cathedral Music by Thomas Tomkins | 1. O sing unto the Lord a new song; 2. Then David mourned; 3. My beloved spake, and said unto me; 4. Above the stars my Saviour dwells; 5. Magnificat from the Third Service; 6. Nunc dimittis from the Third Service; 7. Glory be to God on high; 8. Almighty God, the fountain of all wisdom; 9. When David heard; 10. My shepherd is the living Lord; 11. Sing unto God; 12. Behold, the hour cometh; 13. O God, the proud are risen against me | Choir of St. George's Chapel, Windsor Castle dir.Christopher Robinson; Roger Judd (org) | Helios | CDH55066 |
| Thomas Tomkins | Above the Starrs | 1. O lord, lett me knowe myne ende; 2. Fantasia à 6; 3. Pavan à 6; 4. Galliard à 6; 5. Fantasia à 3; 6. In Nomine à 3; 7. Ut re mi fa sol la à 4; 8. Sing unto God; 9. Pavan à 4; 10. Alman à 4; 11. Above the starrs my savior dwells; 12. Fantasia à 3; 13. Pavan à 5; 14. Woe is me; 15. In Nomine à 3; 16. Fantasia à 6; 17. "thou art my king; 18. Fantasia à 3; 19. Fantasia à 6; 20. Rejoice, rejoice and singe | Emma Kirkby (sop), Catherine King (alt); Charles Daniels (ten), Donald Greig (bar), Richard Wistreich, Jonathan Arnold (b), Fretwork | Harmonia Mundi | HMU 907320 |
| Thomas Tomkins | The Third Service and Anthems | 1. Te Deum laudamus (Third Service); 2. In nomine (28 June 1652); 3. Jubilate (Third Service); 4. In nomine (May, 1648); 5. Magnificat (Third Service); 6. Voluntary (in G); 7. Nunc dimittis (Third Service); 8. Voluntary (in C); 9. Know you not; 10. Voluntary (in a); 11. O Lord, let me know mine end; 12. Oh, that the salvation | The Choir of New College, Oxford dir.Edward Higginbotham; David Burchell (org) | CRD | 3467 |
| Thomas Tomkins | The Great Service | 1. Te Deum laudamus (Third Service); 2. Jubilate (Third Service); 3. Magnificat (Third Service); 4.Nunc dimittis (Third Service); 5. When David heard; 6. When David mourned; 7. Almighty God, the fountain of all wisdom; 8. Woe is me; 9. Be strong and of good courage; 10. O sing unto the Lord a new song; 11. O God, the proud are risen against me | The Tallis Scholarsdir.Peter Phillips | Gimell | CDGIM 024 |
| Thomas Tomkins | Music Divine - Songs of 3, 4, 5 and 6 parts (London, 1622) | 1. Musicke devine, proceeding from above; 2. To the shady woods; 3. O let me live for true love; 4. See, see the shepheards Queene; 5. Phyllis, yet see him dying; 6. When I observe those beauty's wonderments; 7. Too much I once lamented; 8. Fond men that do so highly prize; 9. O yes, has any found a lad?; 10. Weep no more, thou sorry boy; 11. Oft did I marle how in thine eyes; 12. Adue, ye citty prisoning towers; 13. Our hasty life away doth post; 14. Come, shepherds, sing with me; 15. How great delight from those sweet lips I taste; 16. No more I will thy love importune; 17. Phillis, now cease to move me; 18. Sure, there is no god of love; 19. Fusca, in thy starry eyes; 20. Cloris, when as I woo; 21. Woe is me that I am constrained; 22. Turne unto the Lord our God; 23. It is my wel-beloved's voice; 24. When David heard that Absalom was slain; 25. Love, cease tormenting; 26. Was ever wretch tormented | I Fagiolini | Chaconne | CHAN 0680 |
| Simpson | Jenkins | Lawes | Purcell | Tomkins | Two upon a Ground | 1. Division in A (Simpson); 2. Division in F (Simpson); 3. Voluntary (Tomkins); 4. Division in F (Simpson); 5. Division in C (Finger); 6. Division in C (Jenkins); 7. La Pompe Funèbre (Ennemond Gaultier); 8. Fantazia (Locke); 9. Courant (Locke); 10. Division in G (Simpson); 11. Sonata solo in G (Finger); 12. Loves farewell (Hume); 13. Suite in g (Lawes); 14. Prelude (Tomkins); 15. What if a day (Tomkins); 16. Worster Brawls (Tomkins); 17. Pavan (Hume); 18. Two in one upon a ground (Purcell); 19. Division in A (Jenkins) | Charivari Agréable: Susanne Heinrich (viols), Kah-Ming Ng (keyboard), Linda Sayce (lutes), with Susanna Pell (viols) | Signum | SIGCD007 |
| Italian and English Madrigals | 1. Cantiam lieti cantiamo (Giovanni Giacomo Gastoldi); 2. E d'un bel matin d'amore (Antonio Caprioli); 3. Quella bella e biancha mano (Antonio Caprioli); 4. Una leggiadra nimpha (Antonio Caprioli); 5. Venite amanti insieme (Loyset Compere); 6. Divini occhi sereni (Philippe Verdelot); 7. Con l'angelico riso, (Philippe Verdelot); 8. Madonna, il tuo bel viso (Philippe Verdelot); 9. Fuggi, fuggi, cor mio (Philippe Verdelot); 10. Si liet' e grata morte (Philippe Verdelot); 11. Se la dura durezza in la mia donna); (Jacques Arcadelt); 12. Ahime, dov' è'l bel viso); (Jacques Arcadelt); 13. Madonna, s'io v'offendo (Jacques Arcadelt); 14. Il bianco e dolce cigno (Jacques Arcadelt); 15. Donne, venète al ballo (Francesco Patavino); 16. Morir non può il mio cuore (Maddalena Casulana); 17. Se la mia vita (Luca Marenzio); 18. Mia benigna fortuna (Cipriano de Rore); 19. Anchor che col partire (Cipriano de Rore); 20. O sonno (Cipriano de Rore); 21. Chi la Gagliarda (Giovanni Domenico del Giovane da Nola); 22. Madonna mia famme bon'offerta (Adriaan Willaert); 23. Medici noi siamo (Giovanni Domenico del Giovane da Nola); 24. Quandro sarà mai quel zorno (Vincenzo Bell'Haver); 25. Matona mia cara (Roland de Lassus); 26. Tri ciechi siamo (Giovanni Domenico del Giovane da Nola); 27. O Griefe, Even on the Bud (Thomas Morley); 28. When, Loe, by Breake of Morning (Thomas Morley); 29. Aprill Is in My Mistris Face (Thomas Morley); 30. Thule the period of cosmographie (Thomas Weelkes); 31. Sweet Nimphe, Come to Thy Lover (Thomas Morley); 32. Sweet Hony Sucking Bees, madrigal (John Wilbye); 33. Miraculous Love's Wounding (Thomas Morley); 34. Adew, Sweet Amarillis (John Wilbye); 35. Weep, O mine Eyes (John Bennet); 36. Silver Swanne (Orlando Gibbons); 37. O care wilt thou dispatch mee); (Thomas Weelkes); 38. Since Robin Hood (Thomas Weelkes); 39. Fyre and Lightning from Heaven (Thomas Morley); 40. Strike it up tabor, madrigal (Thomas Weelkes); 41. See, See the Shepheards' Queene (Thomas Tomkins); 42. Come, Sable Night (John Ward); 43. Sweet Suffolke Owle (Thomas Vautor); 44. In Nets of Goulden Wyers (Thomas Morley); 45. Draw on Sweet Night (John Wilbye); | The Hilliard Ensemble | Virgin Veritas x2 | 7243 5 61671 2 | |
| Morley, Weelkes, Gibbons and others | 1. When David Heard That Absolam Was Slain; 2. I Am The Resurrection; 3. I Know That My Redeemer Liveth; 4. We Brought Nothing Into This World; 5. I Heard A Voice From Heaven; other works by Weelkes, Morley, Gibbons, Locke, Purcell, Croft, Greene | Annabelle McLauchlan, David Rowland, Michael Bawtree | Meridian | 84363 | |
| The Triumphs of Oriana | Compiled by Thomas Morley | 1. The Lady Oriana (John Wilbye); 2. Sing, Shepherds All (Richard Nicholson); 3. Lightly She Whipped O'er The Dales (John Mundy); 4. Calm Was The Air And Clear The Sky (Richard Carlton); 5. Fantasia No. 2 (Holborne); 6. Hence Stars Too Dim Of Light (Michael East)_ ; 7. Come, Gentle Swains And Shephards' Dainty Daughters (Michael Cavendish); 8. With Angel's Face And Brightness (Daniel Norcombe); 9. The Nymphs And Shepherds Danced (George Marson); 10. Galliard (Holborne); 11. All Creatures Now Are Merry Merry-Minded (John Bennett); 12. Fair Nymphs, I Heard One Telling (John Farmer); 13. Fair Oriana, Seeming To Wink At Folly set by (Robert Jones); 14. The Fauns And Satyrs Tripping (Thomas Tomkins); 15. Galliard No.8 (Holborne); 16. Round About Her Charret, With All-admiring Strains (Ellis Gibbons); 17. With Wreaths Of Rose And Laurel (William Cobbold); 18. Thus Bonny-boots The Birthday Celebrated (John Holmes); 19. Long Live Fair Oriana. (Hark did you ever hear?) (Ellis Gibbons); 20. Fantasia No. 3 (Holborne); 21. Arise, Awake, Awake (Thomas Morley); 22. Hark! Did Ye Ever Hear So Sweet A Singing? (Thomas Hunt); 23. Fair Orian In The Morn (John Milton); 24. With Angel's Face And Brightness (George Kirbye); 25. Come, Blessed Bird (Edward Johnson); 26. Galliard (Byrd); 27. Hard By A Crystal Fountain (Thomas Morley); 28. Fair Oriana, Beauty's Queen (John Hilton); 29. Fair Cytherea Presents Her Doves (John Lisley); 30. As Vesta Was From Latmos Hill Descending (Thomas Weelkes) | I Fagiolini | Chandos Chaconne | CHAN 0682 |
| The Triumphs of Oriana | Madrigals 1600 | 1. The fauns and satyrs tripping; other works by East, Mundy, Weelkes, Morley,Wilbye, Johnson, etc. | Pro Cantione Antiqua, London dir. Ian Partridge | Archiv | 2533 347 (LP) |
| Thomas Tomkins | Choral and Organ Music | 1. Great And Marvellous Are Thy Works; 2. My Shepherd Is The Living Lord; 3. Magnificat (The Fifth Service); 4. Nunc Dimittis (The Fifth Service); 5. Organ Voluntary in D; 6. Funeral Sentences; 7. Pavan & Galliard; 8. Arise, O Lord God, Lift Up Thine Hand; 9. Above The Stars My Saviour Dwells; 10. When David Heard That Absalom Was Slain; 11. A Sad Pavan For These Distracted Times; 12. Then David Mourned With His Lamentation; 13. Behold, The Hour Cometh And Now Is; 14. Almighty God, The Fountain Of All Wisdom; 15. O Sing Unto The Lord A New Song; | Oxford Camerata dir. Jeremy Summerly; Lawrence Cummings (org) | Naxos | 8.553794 |
| Thomas Tomkins | Consort Music for Viols and Voices | Keyboard Music | 1. Pavane and Allemand a 4 in F major; 2. In nomine a 3: no 1; 3. Above the stars my saviour dwells; 4. Fantasias (15) a 3: no 14; 5. Fantasias (15) a 3: no 1; 6. Fancy "for two to play"; 7. Ut re mi a 4; 8. O Lord, let me know mine end; 9. Fantasias (15) a 3: no 12; 10. In nomine a 3 no 2; 11. Pavan and Galliard "Lord Strafford"; 12. Fantasia a 6; 13. Pavan in A minor; 14. Galliard (Thomas Simpson); 15. Thou art my king | Rose Consort of Viols, Red Byrd, Timothy Roberts (hsd, org), John Bryan (hsd) | Naxos | 8.550602 |
| The English Harpsichord | 1. Pavan in A minor; 2. The Hunting Galliard; 3.A Sad Pavan For These Distracted Times; others by Byrd, Farnaby, Redford, Tallis, etc | Igor Kipnis (h) | Angel | SB-3816 | |
| The Treasury of English Church Music | Volume 2 (1545-1650) | 1. Nunc dimittis; other works by Tallis, Morley,Byrd, Parsons, Weelkes, Dering, Child, Philips, Merbecke, Mundy, Gibbons, Farrant | Choir of Westminster Abbey dir. Douglas Guest | HMV | CSD 3536 |
| Masters of Early English Keyboard Music | 1. Worcester Brawls; 2. Pavan and Galliard "Earl Strafford"; 3. Clarifica me Pater; 4. Pavand and Galliard in A Minor; 5. Toy: made at Poole Court; 6. Fancy: Voluntary; 7. Pavan and Galliard in G Major; 8. Variations on "What if a day"; others by Bull, Blitheman, Farnaby, Gibbons, Byrd, Preston, Locke, etc. | Thurston Dart (h, org, clav) | L'Oiseau Lyre | OSL 114/8 (LP) | |
| Frühe Englishe Orgelmusik | 1. Ground; others by Blitheman, Gibbons, Allwood, Bull, Tallis | Colin Tilney, positive organ | EMI Reflexe | 1C 069-46 403 (LP) | |
| Madrigale und Orgelmusik der Englischen Renaissance | 1. Oft did I Marle; others by Carleton, Tallis, Redford, Gibbons, Tye, Weelkes, Edwards, Byrd, Shelbye, Dowland, Blitheman, Morley | The London Ambrosian Singers dir. John McCarthy | Polyhymnia | 1995 (LP) |